Girma Yeshitila

The creation apparatuses, garments and gems, and so forth that we find in the Shepherd's theatrics have their own Tuba stylish.

The engraving of local craftsmanship can be tracked down in their work.

The trading of good tidings, shopping customs, wedding services, love customs, and grieving traditions found in the show are undeniably intended to allure our crowd to have their own magnificence and fascination.

In the show of shepherds and komarita Masresha, the sonnets that are introduced are introduced in a scholarly strategy, which is inverse of mirroring the personality and sensations of the local area.

This made them more essential, more reasonable, and seriously engaging.

The show unites the entire experience of the local area and the legacy that features the social personality of the local area.

Sirak Temeseng, the program overseer of Balageru TV, says that the proportion of the creators' capacity to plan depends on their capacity to introduce these encounters.

On his part, Ateneh Seifu, a theater and film instructor, makes reference to the setting first when he specifies the justification for why we love my shepherd.

Throughout the entire existence of Ethiopian movies and sequential dramatizations, works that are set in rustic Ethiopia are effectively acknowledged and well known by general society.

He recalls that Ateneh, who took the case of 'Rebuni', the creator and maker of this series of dramatizations, acquired prominence by making the setting rustic.

Both Atenem and Sirak concur that the narrative of the show sequential Erdhaye has added to its notoriety among the crowd as it takes a gander at our old personality and customary qualities that we have dismissed.

They additionally say that the world in which the story is set and the characters come from is as one with our social and different qualities, which has added to its acknowledgment.