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Fegegite React - Anastasiya and Bruk in the version of the couples. Even though until the nineteenth century there is a minimum indication of common illustrations other than the scenes remembering the existence of benefactors to chapels in their dividers. Interestingly for orthodox Christianity, the symbols generally did not remain in the houses (where the magic scrolls were regularly maintained at all things considered), but in the congregation.

 

 

 

Some "diptychs" are like an "ark" or tabot, in these cases are sanctified boxes with a painted inside the cover, closed in the elevated area during the mass, quite comparable to the special stone of elevated area in the western church, and antimines in other Sacred Orthodox sites.

 

 

 

These are seen so celestial that ordinary people are not allowed to see them, and are locked by fabric when they are taken at the parade. Ethiopian diptychs often have an essential wing with a casing. A second most modest wing, which is only the size of the image inside the housing, is painted on both sides to allow the closed and open perspective.

 

 

 

The symbols are painted on a help wooden base, however, from about the sixteenth century with mediator cloth support stuck to a layer of gesso on wood. The limiting mechanism for painting is further based on the creature, which gives a matte completion that is then stained frequently.

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