This period of Ethiopian manufacturing was currently described as "progress" since the Fine Arts created in the 16th century despite all incorporating complex and icon regular components of the 15th century, while presenting progress that will occur in the second 50% of the seventeenth century. Anyway, all things considered, this representation of change is material at most authentic periods and is in this way that does not particularly adapt. The craftsmanship created during the mid-solomonic period reflects the annoying circumstance of the nation. The act of clarification of compositions with geometric images and themes has decreased considerably, and not many crosses and places of worship have been unquestionably attributed to the 16th century. In addition, although various symbols of this period have been endured, they only have the good taste of the fifteenth-century painted boards from time to time.
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