Describe, if through stanza, melody or sensation, is a great life between the social history of Nakfa partners in the camp. Most days leave their hostels and follow an occupied dirt track with children playing, women who pass by loads, meetings of skinny cows and accidental signs (we join to end violence against the women!). After a mile or somewhere, hence the shorts of the track in a severe current and back to an open propagation of green and yellow pastures against a steep view.
Adi Harush is located in the Tigray Sharp area of North Ethiopia. It is one of the four camps in the Shire region, houses the widespread marginalized of Tigrinya character. The day I appear, Nakfa, with a tear of jean torn, on a blue cake t-shirt with "JRS" created through it, moves between performance practice and a music meeting. It is likely that he is the younger craftsman there at the stay meeting. The others, a social issue of Eritrean men in their twenty years and more prepared, play guitar, control center, drums and an assortment of standard instruments. Nakfa deafening voice strains on the impact of Eritrea culture music. In another room, adolescents are collected to rehearse a play that Tesfaye has been formed.
The terrible study is fundamental for the configuration of JRS of the study lobbies created in this open field, far from the cabins, huts and neighborhood that make up the camp. The sensation, the craftsmanship and the music classes occur step by step, are going to be generally by adolescents and adolescents. There is a library where Kibrom finds comfort in the history books of Eritrea and a space for external sports. Classes are the creation of the Jesuit refugee service, which uses social workers and specialists to work with children and adolescents in the camp. Its staff works in a couple of camps in the Shire region and uses strangers with adequate capabilities as substuding teachers.
- Category
- Sample Category #1