In the corner of the base on the right is a representation of Saint George overlapping a pony. The names of a couple of numbers on the right edge have been made on the limits that browse the scene in registers. According to all likelihood, inscriptions perceiving the upper part of the Apostles and the Virgin and the child were first present on the upper edge of the two leaves. The images, for example, have certainly been made to engage the devotion to the Virgin Mary, according to the desires of the Sovereign Ethiopian Zara Ya Bob (which managed from 1434 to 68 years) and would have been used in houses of prayer and motorcaria demanding.
The term image is used to insinuate a respectful image. It is usually painted on a level wooden board, but in Ethiopia, apathetic traditions, materials, for example, metal or stone could also be used to transmit this type of image. The most reliable known Ethiopian images have been dated in the 15th century and are globally painted with gums that have come together to paint GESSO's arranged wooden leaves. Ethiopian images of this period generally represent the Virgin and the Child, the Apostles and Saint George.
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- Sample Category #2