Lalibela incorporates twelve structures aimed at love that, together with an organization of corridor and camera connections, are completely cut or "trimmed" without stone. The habit of reducing the temples out of the rock, effectively witnessed the witnesses of the past periods, takes place here at an unheard. The sacred places, some of which are unleashed, such as Beta Giorgis (Church of St. George, image at the top of the page), have more more complex facades and all characterized. They incorporate structural components motivated by structures of the assuming period. In addition, some, such as Bet Maryam, highlight wonderful internal ornaments (above), which are also cut from the stone, just as dividing compositions. The interior of the houses of the worship mixture assumes components with subsequent components of the Coptic-Arabic inference. In Bet Maryam, for example, the components of the building, for example, the cutting capitals and the contours of the window, the mirror suite models (see below), although the compositions can measure up to those in the age monastery Middle of St. Antonio in the Red Sea.
The Ethiopia controlled by Solomon until the second since the last quarter of the twentieth century. By far this period, Solomon did not have a fixed capital, however, he obtained the nation as indicated by the seasons and needs of him.
Solomon was almost as dynamic as benefactors of the expressions of human experience as their archetypes, and enriched places of worship with many valuable blessings. The Show-Stoppers were also awarded minister approaches by aristocrats and pastors, as well as by people known by engaging engaging in the work they authorized. The church cut into stone from Kannada Maryam, a couple of kilometers southeast of Lalibela, highlights a practically complete arrangement of mural paintings that portray Santas, celestial messengers and topics motivated by the New Testament.
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